Experimentation vs. Convention in Dramatic Writing

Experimentation vs. Convention in Dramatic Writing I will always remember with nostalgic fondness my first encounter with experimental dramatists in Suzanne Westfall’s Modern Drama course during my undergrad studies at Lafayette.  Susan Glaspell’s Machinal, Luigi Pirandello’s Six Characters in Search of an Author, Alfred Jarry’s Ubu Roi, and August Strindberg’s Ghost Sonata were delicious counterpoints to my footings in Marlowe, Shakespeare, … Continue reading

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